अभिनय (abhinaya)

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शब्दसागरः

English

 अभिनय m.
  (-यः)
	 1. Indication of a passion or purpose by look,  gesture, 
&c.
	 2. Acting,  dramatic personification. 
	 3. Ornament,  decoration. 
	 4.
Civility,  kindness.
 E.
  अभि,  नीञ् to guide,  and अच् aff.
  

Capeller Eng

English

 अभिनय m.
  pantomime,  dramatic representation
°याचार्य m.
  teacher of this art. 

Yates

English

 अभि-नय (यः) 1.
m.
  Indication of
passion by the look
 civility.

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Spoken Sanskrit

English

अभिनय 	-	 abhinaya 	-	 m.
  	-	  dramatic action that is expressive of sentiment
अभिनय 	-	 abhinaya 	-	 m.
  	-	  acting  [ indication of a passion or purpose by look & gesture ]

Wilson

English

 अभिनय
m.
  (-यः)
1 Indication of a passion or purpose by look,  gesture,  &c.
2 Acting,  dramatic personification. 
3 Ornament,  decoration. 
4 Civility,  kindness.
E.
  अभि,  णीञ् to guide,  and अच् aff.
  

Apte

English

अभिनयः [abhinayḥ],  1 Acting,  gesticulation,  any theatrical action (expressive of some sentiment,  passion &c.
 )
 नृत्याभिनयक्रियाच्युतम् Ku.*
  5.79
 अभिनयान् परिचेतुमिवोद्यता R.*
  9.33
 नर्तकीरभिनयातिलङ्घिनीः 19.14
 Ki.*
  1.42.

Dramatic representation,  exhibition on the stage
 ललिताभिनयं तमद्य भर्ता मरुतां द्रष्टुमनाः सलोकपालः V.*
  2.18. S.D. thus defines and classifies अभिनय: भवेदभिनयो$वस्थानुकारः स चतुर्विधः । आङ्गिको वाचिकश्चैवमाहार्यः सात्त्विकस्तथा ॥ 274,  'acting is the imitation of condition',  it is of four kinds: (1) gestural,  conveyed by bodily actions
 (2) vocal,  conveyed by words
 (3) extraneous,  conveyed by dress,  ornaments,  decoration &c.
 
 (4) internal,  conveyed by the manifestation of internal feeling such as perspiration,  thrilling &c.
  Comp.
   -आचार्यः a dancing preceptor
 उभावभिनयाचार्यो त्वां द्रुष्टमिच्छतः M.*
  1.1 -विद्या science of acting or dramatic representation
 art of dancing
 मया तीर्थादभिनयविद्या शिक्षिता M.*
  1.

Apte 1890

English

 अभिनयः 1 Acting,  gesticulation,  any theatrical action (expressive of some sentiment,  passion &c. by look,  gesture,  posture &c.)
 नृत्याभिनयक्रियाच्युतं Ku. 5. 79
 अभिनयान् परिचेतुमिवोद्यता R. 9. 33
 नर्तकीरभिनयातिलंघिनीः 19. 14
 Ki. 10. 42. 
2 Dramatic representation,  exhibition on the stage
 ललिताभिनयं तमद्य भर्ता मरुतां द्रष्टुमनाः सलोकपालः V. 2. 18. S. D. thus defines and classifies अभिनयः-भवेदभिनयोऽवस्थानुकारः स चतुर्विधः । अंगिको वाचिकश्चैवमाहार्यः सात्त्विकस्तथा ॥ 274,  ‘acting is the imitation of condition’
 it is of four kinds:
 (1) gestural,  conveyed by bodily actions
 (2) vocal,  conveyed by words
 (3) extraneous,  conveyed by dress,  ornaments,  decoration &c.
 (4) internal,  conveyed by the manifestation of internal feelings such as perspiration,  thrilling &c. 
Comp. 
आचार्यः a dancing preceptor M. 1. 10. 
विद्या science of acting or dramatic representation,  art of dancing
 मया तीर्थादभिनयविद्याशिक्षिता M. 1. 

Monier Williams Cologne

English

 अभि-नय a See 1. अभि-√ नी.

 अभि-नय b m.
  (indication of a passion or purpose by look,  gesture,  &c.
  ) acting,  dramatic action (expressive of sentiment)

Monier Williams 1872

English

 अभिनय अभि-नय। See 1. अभि-नी,  p. 64.

 अभि-नय,  अस्,  m. indication of a passion or pur-
pose by look,  gesture,  &c.
 acting,  dramatic action
expressive of sentiment,  dramatic personification.

Goldstucker

English

 अभिनय Tatpur. 1. m. (-यः) Action and postures expressive
of sentiment,  especially when exhibited in a dramatic per-
formance
 dramatic representation
 it is fourfold: आङ्गिक
or conveyed by bodily action,  as by attitude,  gesture &c., 
वाचिक by speech,  आहार्य by dress,  decorations &c. and
सात्त्विक by the spontaneous manifestation of feelings,  as
by perspiration,  horripilation,  inarticulate speech &c.
 e. g.
Vikramorv.: ललिताभिनयं तमद्य भर्ता मरुतां द्रष्टुमनाः स-
लोकपालः
 or a quotation by the Sāhityad.: यस्मादभिनयो
ह्यत्र प्राथम्यादवतार्यते । रङ्गद्वारमतो ज्ञेयं वागङ्गाभिनया-
त्मकम्. The term अभिनय as applying merely to the means
of a dramatic representation is therefore distinct from the
term रूपक (and its subdivisions) q. v. which belongs to the
contents of the representation or to the drama itself,  both
being the categories which distinguish the ‘poem to be
seen’ from the ‘poem to be heard’
 Sāhityad.: दृश्यश्रव्य-
त्वभेदेन पुनः काव्यं द्विधा मतम् । दृश्यं तत्राभिनेयं तद्रूपारो-
पात्तु रूपकम् । भवेदभिनयोऽवस्थानुकारः स चतुर्विधः । आ-
ङ्गिको वाचिकश्चैवमाहार्यः सात्त्विकस्तथा
 (the Amarak. dis-
tinguishes the अभिनय only as आङ्गिक and सात्त्विक
 He-
mach. has the same definition as the Sāhityad.).
[2. n. (-यम्) See the remark s. v. अभिबल.] E. नी with
अभि,  kṛt aff. अच्
 Saṅgītadarpaṇa: अभिपूर्वस्तु णीञ्धातु-
राभिमुख्यार्थनिर्णये । अस्मात्प्रयोगं नयति तस्मादभिनयः स्मृतः.

Benfey

English

 अभिनय अभिनय,  i. e. अभि-नी + अ, 
m.
  Dramatic performance,  Vikr. d. 36.

Hindi

अभिनय

Apte Hindi

Hindi

अभिनयः
पुं*
  - अभि+नी+अच्
"नाटक खेलना, अंग विक्षेप, नाटकीय प्रदर्शन"

अभिनयः
पुं*
  - अभि+नी+अच्
"नाटकीय प्रदर्शनी, स्वांग, मंच पर प्रदर्शन करना करना"

Shabdartha Kaustubha

Kannada

अभिनय
पदविभागः - > पुल्लिङ्गः
कन्नडार्थः - > ಮನಸ್ಸಿನ ಅಭಿಪ್ರಾಯವನ್ನು ತಿಳಿಸುವ ಅಂಗಚೇಷ್ಟೆ /ಶರೀರವ್ಯಾಪಾರ
निष्पत्तिः - > अभि + णीञ् (प्रापणे) - "अच्" (३-३-५६)
व्युत्पत्तिः - > अभिनयत्यर्थान्
प्रयोगाः - > "अभिनयान् परिचेतुमबोद्यता मलयमारुतकम्पितपल्लवा"
उल्लेखाः - > रघु० ९-३३
अभिनय
पदविभागः - > पुल्लिङ्गः
कन्नडार्थः - > ಇತರರ ಅವಸ್ಥೆಯನ್ನು ಅನುಕರಿಸುವುದು /ರಂಗಸ್ಥಳದಲ್ಲಿ ತನ್ನ ಶರೀರವ್ಯಾಪಾರ ಭಾಷಣ ಮೊದಲಾದುವುಗಳಿಂದ ಮತ್ತೊಬ್ಬನು ಮಾಡಿದಂತೆ ಮಾಡುವುದು
प्रयोगाः - > "नर्तकीरभिनयातिलङ्गिनीः"
उल्लेखाः - > रघु० १९-१४

L R Vaidya

English

 aBinaya {% m. %} 1. Action and postures expressive of sentiment especially when exhibited in a dramatic performance,  नर्तकीरभिनयातिलंघिनीः R.xix.14,  अभिनयान् परिचेतुमिवोद्यता R.ix.33
 2. dramatic representation
 (it is four-fold- (1) आंगिक conveyed by bodily action
 (2) वाचिक by speech
 (3) आहार्य by dress,  decoration &c. and (4) सात्विक by the manifestation of feelings,  as by perspiration,  horripilation &c.) ललिताभिनयं तमद्य भर्ता मरुतां द्रष्टुमनाः सलोकपालः Vikr.ii.

Bopp

Latin

 अभिनय m. (r. नी ducere s. अ) gesticulatio. UR. 28. 10.

Schmidt Nachtrage zum Sanskrit Worterbuch

German

 अभिनय m. = शय्यागमन? S II,  11,  3.

अभिधानचिन्तामणिः

Sanskrit

--source--
 
अङ्गहारोऽङ्गविक्षेपो व्यञ्जकोऽभिनयः समौ ॥ २८२ ॥
-wordlist-
 
अङ्गहार (पुं),  अङ्गविक्षेप (पुं),  व्यञ्जक (पुं),  अभिनय (पुं)

अभिधानरत्नमाला

Sanskrit

अभिनय
अभिनय
अङ्गहारोऽङ्गविक्षेपः सूच्योऽर्थोऽभिनयः स्मृतः ॥ ९४ ॥
verse 1.1.1.94
page 0012

पुराणम्

English

अभिनय / ABHINAYA. In agni purāṇa,  Chapter 342,  abhinaya has been defined as follows: abhinaya is the art of presenting before the people the ideas that are to be communicated to them. There are four divisions of this art known as Sāttvika,  Vācika,  Āṅgika and Āhārya depending on Sattva,  Vāk,  aṅga and Āhārya. Besides these,  another division known as Abhimānika (Abhimānottha) may also be mentioned. This signifies the expression of rasas like Śṛṅgāra. There are two kinds of Śṛṅgāra known as Saṁbhoga and Vipralambha. Four varieties of Vipralambha called Pūrvānurāga Vipralambha,  Māna Vipralambha,  Pravāsa Vipralambha and karuṇa Vipralambha are mentioned. The union after Vipralambha is Saṁbhoga-Śṛṅgāra. All Sāttvika bhāvas are included in Śṛṅgāra. All these have to be expressed through abhinaya.

शब्दकल्पद्रुमः

Sanskrit

 अभिनयः,  पुं,
   (अभिनीयते हृद्गतक्रोधादिभावःप्रकाश्यतेऽनेन अभि + नी + करणे अच् ।) हृद्गत-क्रोधादिभावाभिव्यञ्जकः । अङ्गुल्यादिना व्यक्ती-कृतमनःकार्य्यं । तत्पर्य्यायः । व्यञ्जकः २ । इत्य-मरः ॥
 दृश्यकाव्यं । रङ्गादिभिर्नटैः रामयुधिष्ठिरा-दीनामवस्थानुकरणं । स चतुर्व्विधः । आङ्गिकः १ ।वाचिकः २ । आहार्य्यः ३ । सात्त्विकः ४ । इतिसाहित्यदर्पणं ॥
 (“तामेतां परिभावयन्त्वभिनयै-र्विन्यस्तरूपा बुधाः शब्दब्रह्मविदः कवेः परिणत-प्रज्ञस्य वाणीमिमाम्” । इति उत्तरचरिते ।)

वाचस्पत्यम्

Sanskrit

 अभिनय पु०
  अभि--नी--करणे अच् । १ हृद्गतभावव्यञ्जके शरी-रचेष्टादौ । भावे अच् । २ अभिनेयपदार्थस्य शरीरचेष्टा-भाषणादिभिरनुकरणे “भवेदभिनयोऽवस्यानुकारः स चतु-विधः । आङ्गिकोवाचिकश्चैवमाहार्यः सात्त्विकस्तथेति” नटैरङ्गादिभिः रामयुधिष्ठिरादीनामवस्थानुकरोऽभिनयः सा०द० । नर्त्तकीरभिनयातिलङ्घिनीति” रघुः । नानाभिनय-सम्बन्धान् भावयन्ति रसान् यतः” सा० द० तदभिनयमिवा-वलिर्वनानामतनुत नूतनपल्लवाङ्गुलीभिः माघः । “अङ्गै-रालम्बयेद्गीतं हस्तेनार्थं प्रकाशयेदित्युक्तदिशा व्यञ्जकचेष्टा-मतनुतेत्यर्थः । “शौरिरित्यभिनयादिवोच्चकैः” माघः ।अभिनयति बोधयत्यर्थमत्र आधारे अच् । शरीरचे-“ष्टादिभिर्दृश्यपदार्थज्ञापके ३ रूपकादौ दृश्यकाव्ये ।

Capeller

German

 अभिनय m.
  Mimik,  theatralische Darstellung.

Stchoupak

French

 अभि-नय-
 m.
  pantomime 
 représentation théâtrale.

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